This Floating Poo Was Far Too Meaningful! These Are the Television Disappointments of the Past Year.

As we consider the TV landscape of the past year, a handful of series stand out not for their brilliance, but for their spectacular failures. From cringe-inducing spin-offs to bafflingly poor docuseries, here are the productions that had us scratching our heads or simply reaching for the remote.

The 'Sex and the City' Sequel

Where to begin with this divisive spin-off? Burdened with woeful scripts, cringe-inducing character development (we demand better for Miranda!), and a mere 71 seconds of beloved Samantha, the show fought to justify its existence. Briefly, as the third season began, it looked like it had at last found its groove. Then arrived an installment all about Seema’s natural deodorant. Little surprise the creator announced this would be the final season. It concluded on a low point; the closeup of Miranda’s toilet full of poo was just way too on-the-nose. Yet, viewers certainly had a hoot picking apart every single “wtf?” moment. And as Carrie – a single woman once more – twirled around her sprawling townhouse to Barry White, who couldn't release a little sob?

All’s Fair

‘Can Kim Kardashian act? Of course she can’t.’

But that was almost the smallest of this drama's issues. The subject of a exceedingly uncommon zero star review, it was hard to know where to start enumerating the flaws. The laughably leaden dialogue? The mind-numbing glorification of affluence and materialism? The seemingly deliberate procession of cliches? Acting so bad they felt almost malicious? Let’s just say “all of the above” and never speak of this series again. Except, a second season has been ordered, so we’re likely going to have to.

AKA Charlie Sheen

Considering the restraining orders, abuse claims and fatherly shortcomings, it’s reasonable to say Charlie Sheen has been a troubled figure. Not that you’d really have gleaned it from this three-part documentary which chuckled along at Sheen’s various episodes of reckless excess while failing to tell us anything we didn’t already know. Instead, it felt as if this loose cannon was being indulged, so any sympathy this show might evoke should be reserved for the people who have had to suffer close contact with this charismatic but flippant narcissist.

The Iris Affair

Of course we understood it was ridiculous from the get-go: a drama about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or destroy all of humanity. We persevered out of pure love for its stars … but by the end, it felt like even they had given up trying. One scarcely reacted when his character died, and the other ended up hacking Charlie with an axe … in super slow-motion. That's what you call admitting defeat.

The Gangster Drama

Shady figures meeting in empty boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and wants its crime drama back.

In truth, that is harsh on the crime shows of the late 90s. Many look a little old-fashioned now, but at least they didn’t suffer the ignominy of having to indulge baffling dialects. But there were many other issues. Mainly that it was just really dull; a conflict over drug-selling territory between various cockney rogues which felt a bit basic.

With Love, Meghan

Given the extent to which she grinds the gears of certain performatively enraged commentators, it’s temptingly tempting to applaud the Duchess of Sussex’s televised ventures into twee homemaking as deliberate provocations. But then you watch them and are forced to admit that in this case, they may have a point. It’s like watching a lifestyle magazine come to life; a poster for wine o’clock with ideas of grandeur; a parade of sleeping dogs, humming beehives, Hallmark platitudes and pointless crafting “tips” you’ll forget instantly. All supported by immense, mostly undeserved wealth. Ugh.

The Beckham Documentary

There are obviously fascinating things to be discussed about both Victoria Beckham and her struggles with vocation, self-image, self-worth. But for some reason, this three-part series opted not to say them. Instead, the viewing was like reading a marketing catalogue. She clearly has every right to resent what she describes as her “miserable cow” image. But sadly, she failed to do herself any helps with this guarded letdown of a series.

The Game Show

It should have been the next big hit – except even camper, with a famous star as a deceased benefactor and a well-known personality managing her inheritance. What more could you want? As players competed, there was plenty of backstabbing and arguing. But the rules quickly became bewildering: it’s even now too complicated to explain what exactly was happening. Even more regrettably, we only saw brief appearances of the star via prerecorded videos. The show ended up reeking of a production that was trying way too hard to emulate something far greater than it.

The Lena Dunham Romcom

How does one succeed a show that defined a generation? The pressure was enormous for this glitzy romcom about Jessica, a rosy-eyed New Yorker who lands in London with a shattered romance. The lead actress took her biggest role by the horns and was joyous to watch, reveling in Austen levels of romantic ideals. But it was all very glossy and, ironically, was insufficient. Plus, the abundance of celebrity cameos involved felt uncomfortable.

Mitchell & Webb Are Not Helping

Not good enough to be ‘uneven’.

Given the smart inclusion of gifted younger comics, expectations were high. But sadly, most of it didn’t land. A recurring sketch was a one-note joke milked to a husk but repeated in every episode. One star seemed too willing to slip into a well-known ranting mode. The writing room sketches, meanwhile, simply inspired the thought that they should probably have remained in there a while longer.

The Knox Dramatisation

This dramatisation of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely presented the perspective of Amanda Knox. So, while there probably is an interesting drama to be made about the tragic 2007 murder, this was not it. The material needed to be treated sensitively. Instead, the series laboured awkwardly to find the right tone, lumbering from oddly breezy, somewhat stylised farce to ultimately, real-life horror. Complex? Arguably. A total mess? Absolutely.

The Maths Genius Thriller

We admire the star … but did we believe him playing the most brilliant maths genius in history, a man so intelligent he’s on the verge of a breakthrough that could destabilise society? Nope! This international thriller about secret services spying on – and killing off – intellectuals frankly got more farcical by the second. Formulaic nonsense.

The Bonnie Blue Documentary

This uncritical portrait followed the online personality notorious for explicit escapades as she prepared for her biggest feat yet. What on earth would possess her? What we wanted was way more interrogation of her actual psyche, plus those of the men in the line. They could at least have interviewed the now-famous mum who appeared to drag her son away from the queue. What we got was horrific imagery and absolutely no interrogation of her infamy whatsoever. And to think, the documentary-maker has a teenage daughter too.

Eric Ball
Eric Ball

Elara Vance is a gaming journalist and tech enthusiast with a decade of experience covering esports and hardware innovations.

September 2026 Blog Roll